EXPERIÊNCIA E NARRATIVA NO MOVIMENTO CINECLUBISTA DA DÉCADA DE 1970: "CORAÇÕES E MENTES"
Retórica
Discurso narrativo
Cinema
Educação
Memória
Movimento social
Brasil -1970-1979
História
Experiências
Memories
Experiences and Narratives
CNPQ::CIENCIAS HUMANAS::EDUCACAO
Abstract
I
n this thesis, we collect the memories of the cineclub movement of the decade of
1970, through the narratives of life of some of its protagonists. We try to understand
how this experience, despite under strong political repression, made possible to its
participants the construction of collective actions, translated into a political-cultural
practice that extended the spaces of exercise of the citizenship, putting in question
the power of repression of the military dictatorship. We also consider that the cineclub
movement consisted in a space of formation for the involved citizens, since the
experience lived in the activity had as fundamental practice the research and the
debate - space of intellectual construction and collective formation. Taking as
reference the concepts of experience (erfahrung), memory and narrative of Walter
Benjamin, the present work have as its main approach to reflect on the value of the
experience as source and possibility of the narrative. We understand that the
narratives constructed in the remembering process are manifestations of collective
memories, since they are seen both as individual expressions - words, gestures,
looks, voices, written and as cultural productions. They make possible to
understand that the subjects subjectivize the culture, by having the capacity of
reflection, of interpretation, meaning and re-meaning the world and its experiences in
these mediations. We understand that the experiences, by inscribing itselves in the
history of the societies, are inserted in a continuity/discontinuity, where if in one hand,
we have the instituted social structures, on the other hand, we have what is instituted,
what is (re) structured. In the tension between instituted and institutor, experiences
appear, as the cineclub s, that go opposing to the emptying of the relations between
the subjects, collaborating for the constitution of social processes that result of
experiences that unfold, prolongate, interchange itselves. Experiences more
compromised with human becoming.
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Document type
TeseFormat
application/pdf
Subject(s)
NarrativasRetórica
Discurso narrativo
Cinema
Educação
Memória
Movimento social
Brasil -1970-1979
História
Experiências
Memories
Experiences and Narratives
CNPQ::CIENCIAS HUMANAS::EDUCACAO