UMA ANÁLISE DO CAMPO CINEMATOGRÁFICO BRASILEIRO SOB A PERSPECTIVA INDUSTRIAL
Audiovisual
Indústria
Cultura
Estado
Cinema
Audiovisual
Industry
Culture
State
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
Abstract
The theme of this work is the relation between culture and industry in Brazil, departing
from the analysis of the dynamics of the Brazilian cinematographic field. The research
focuses on the relationship between Brazilian state and the industrialization of Brazilian
cinema during the years 2000. A new reading of the main historical milestones of the
industrialization of national cinema supports the creation of an adequate frame to
understand the patterns of state intervention in the cinematographic field. With such
referential, we explore the connections and disconnections among discourses, practices
and regulatory policies towards the Brazilian audiovisual in globalization times. The
preservation of the distinction places in the audiovisual media derives not only from the
incoherence between discourses and practices but also from an incomplete process of
institutionalization of the state intervention. However, we cannot affirm that Brazil
remained immune to the tendency of blurred frontiers in audiovisual media. The
experience of Globo Filmes, driven by private interests, puts in evidence the potentiality
for transit between cinema and television and vice-versa. Thus, the irregularities in state
intervention gave room to the rise of attempts to make a Brazilian audiovisual industry
feasible, but not to a state policy of permanent building of mediations between culture
and economy.
[Texto sem Formatação]
[Texto sem Formatação]
Document type
DissertaçãoFormat
application/pdf
Subject(s)
CinemaAudiovisual
Indústria
Cultura
Estado
Cinema
Audiovisual
Industry
Culture
State
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO