Aviso de cookies

Neste site utilizamos cookies analíticos. Os cookies analíticos são utilizados para compreender como os visitantes interagem com o site. Eles ajudam a fornecer informações sobre métricas como número de visitantes, taxa de rejeição, origem do tráfego, etc.

  • Portal do Governo Brasileiro
    • português (Brasil)
    • English
    • español
  • English 
    • Português (Brasil)
    • English
    • Español
  • Login
          AJUDA
Pesquisa
avançada
     
View Item 
  •   RIUFF
  • TEDE - Migração
  • TEDE sem arquivo
  • View Item
  •   RIUFF
  • TEDE - Migração
  • TEDE sem arquivo
  • View Item
JavaScript está desabilitado no seu navegador. Algumas funcionalidades deste site podem não funcionar.

Browse

All of DSpaceCommunities & CollectionsBy Issue DateAuthorsAdvisorsTitlesSubjectsDepartmentProgramTypeType of AccessThis CollectionBy Issue DateAuthorsAdvisorsTitlesSubjectsDepartmentProgramTypeType of Access

Statistics

View Usage Statistics

Collections
  • TEDE sem arquivo

Statistics
Metadata
Show full item record
CARNAVAL, MISTÉRIO E GANGSTERS: O FILME POLICIAL NO BRASIL (1915-1951)
Abstract
This thesis uses the concept of film genre refusing traditional transhistorical, transcultural, essentialists and textualist approaches, but choosing to understand the genre as a discursive category socially and historically determined and located in a specific cultural context. Discussing the film genre in relation to Brazilian cinema, the applied methodology valorizes the reception for the understanding of the genre, investigating the different discourses that result from the circulation of both foreign and national films in Brazil, and focusing on the genrification process as exemplified with the chanchada genre. Having the crime film in Brazilian cinema as main object of analysis, this thesis attests the term s polissemic and variable character and the continuous presence of others contestant generic terms. Therefore, this study of the crime film in Brazil between 1915 and 1951 comprises the silent cinema serials, the gangster films and underworld pictures of the beginning of the talkies, the fashion of the crime genre in Brazilian literature and radio dramaturgy, and the emergence of suspense melodramas and semi-documentary crime films many of them now known as examples of the film noir in the context of the realism of postwar cinema.
[Texto sem Formatação]
Document type
Tese
Format
application/pdf
Subject(s)
Cinema brasileiro
Cinema e história
Filme policial
Programa de rádio
Brazilian cinema
Cinema and History
Crime film
CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
 
URI
https://app.uff.br/riuff/handle/1/19305
License Term
CC-BY-SA
DSpace
DSpace
DSpace
DSpace
DSpace
DSpace

  Contact Us

 Fale com um bibliotecário

DSpace  Siga-nos no Instagram