O DECURSO DO SENSORIALISMO NA NARRATIVA DE ROBERTO DRUMMOND
crítica e interpretação
Literatura popular
Percepção sensorial
Memória
Drummond, Roberto
criticism and interpretation
popular literature
sensory perception
Memory
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS
Abstract
The present paper is on the analyses of the use of language focused on sensory, the
sensationalism, in novels like Sangue de Coca-Cola , Hilda Furacão and O cheiro de
Deus , all of them written by the novelist Roberto Drummond. This sensationalism gives
varied connotations to the kinesthetic, making feelings of excitement, pleasure or disgust that
the stimulus of the body tries to reach the psychological of the reader as detected in the
writing of these novels. It has been in the first chapter the assessment of texts produced at
different times and by different authors of Brazilian Literature that have sensory
characteristics and functioned that works a kind of comparison to the Drummond s
sensationalism. This paper also presents the author's literary journey that began in the 1970s,
strongly motivated by the Pop Art and the period of dictatorship in Brazil when the use of
language focused on sensory functions was used as a firework in the novel Sangue de Coca-
Cola , a Pop Literature symbol. The third chapter is based on the romance of Hilda Furacão
and the construction of memories through the journalistic experience of the author also
showing the sensuality of the characters, especially the protagonists, Hilda and Malthus. The
author's latest novel, O cheiro de Deus , ends this study focused on sensory language, where
it is present the sublimation of the senses up against blindness which evokes the quest for
divine smell
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Document type
TeseFormat
application/pdf
Subject(s)
Drummond, Robertocrítica e interpretação
Literatura popular
Percepção sensorial
Memória
Drummond, Roberto
criticism and interpretation
popular literature
sensory perception
Memory
CNPQ::LINGUISTICA, LETRAS E ARTES::LETRAS