MANTO DA APRESENTAÇÃO: ARTHUR BISPO DO ROSÁRIO EM DIÁLOGO COM DEUS
Arte
Bispo do Rosário, Arthur, 1909-1989
crítica e interpretação
Sacred art
Art
Bispo, Arthur, 1909-1989
criticism and interpretation
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
Abstract
In Christmas Eve, 1938 Arthur Bispo do Rosário presented himself as Jesus
Christ at São Bento s Monastery, in Rio de Janeiro, escorted by seven angels with
the mission of judging alive and dead ones, in addition to catalogue the world in
miniatures in order to give them to Father at the Day of Judgement. After this
meeting with the monks the Son of Man was steered towards the Hospital Nacional
dos Alienados; the quiet course of the ordinary, black, poor, north-eastern immigrant
man's life had taken another direction to his mission's function on earth. The door to
Arthur Bispo do Rosário's maze was open. The present dissertation investigates the
uncommon life of the man who materialized into art the expectation of the meeting
with God. A production surrounded by a mystic aura executed during half a century
waiting for death. Arthur Bispo do Rosário's artistic motivation had been the wrong
way down his time, because while he prepared himself to the solemn moment of his
passage, science searched a way to declare the death's death. The artistic making of
Bispo do Rosário was understood here as an experience lived in a broken time from
the moment defined by the hierophants he lived, turning his 802 works into only one,
while all of them were sewed by the same conductor thread of the production's aim.
Among Arthur Bispo do Rosário's grand work one will deserve highlight the Manto
da Apresentação (The Presentation Cape). According to its symbolic grandiosity
within the labor of expectation's context, this work was identified as the mobile Center
of the World. It's about a cloth embroidered inside and out during thirty years to be
used at Father and Son grand meeting moment, moment in which the world would be
given to the Almighty through its inventor's hands. In the Manto (Cape) its possible
to perceive the sacred's manifestation that lead this labor of faith's artistic drudgery.
The proposal is to turn attention to the artistic production of Bispo do Rosário to see
his dialog with God
[Texto sem Formatação]
[Texto sem Formatação]
Document type
DissertaçãoFormat
application/pdf
Subject(s)
Arte sacraArte
Bispo do Rosário, Arthur, 1909-1989
crítica e interpretação
Sacred art
Art
Bispo, Arthur, 1909-1989
criticism and interpretation
CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES